The motive for the crime is as obvious and unimaginative as it can get, with film after film falling back on the same reason for a revenge saga.Monarchy is running in the film industry and the monarchs are none other than the big heroes. But they're lost in a film where the larger premise is wholly predictable. Indraganti makes some interesting writing choices, like that scene when Apoorva's parents (Thalaivasal Vijay and Rohini) casually confess that they had premarital sex or the army man who puts his wife above the nation. Her expressions in V are the same as what we saw her do in Sufiyum Sujatayum, her last release. However, without giving too much away, one can say that V does not push him enough in that direction.Īditi Rao Hydari as Saheeba looks beautiful but the actor has been typecast in the earnest Madonna role one too many times. Playing the antagonist in a film is a brave choice for a lead actor. The reference to K Raghavendra Rao's films is especially hilarious.
He's effortlessly funny, spooking people around him with his dark humour (but you also wonder why he behaved that way after we know all the answers in the end). Nani definitely makes a difference when he steps in. She wants to write a crime novel, so when Adithya opens a drawer in her room, he finds papers with words like 'KILL' written on them. Nivetha is charming onscreen but is stuck with looking chirpy and providing comic relief that only serves to distract. The romance between him and Apoorva (Nivetha Thomas), an aspiring crime writer, would have been more suited to a college romcom than a dark thriller. Sudheer Babu's interpretation of Adithya is a semi-sneer plastered on his face for a good part, which doesn't allow us to warm up to the character.
And since they don't seem to take the crime seriously, neither do we. Even the most jaded cop on the job is likely to have some emotion to what they're witnessing but not these guys.
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His subordinates (Vennela Kishore plays Mansoor, Adithya's sidekick) and superiors too seem totally unbothered that there's a body lying in front of them, using the opportunity to crack some clever jokes. The emphasis is more on his flamboyance and heroism than what would be a natural response to the crime. For instance, when Adithya walks into a brutal crime scene where the victim is a fellow police officer, no less, he hardly flinches. But though the screenplay goes through all the motions of an investigation, you are never sucked into the proceedings. It doesn't take long for the first murder to take place after Indraganti sets up the stage for Adithya.
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He's not, in other words, the typical movie cop who nurses a paunch and accepts bribes under the table. He not only busts drug rackets, he's also voted to be the sexiest man around. He not only believes in human rights, he also walks the ramp.
As the credits roll, the newspaper clippings about Adithya reveal what sort of a man he is. The sequence is built to amplify Adithya's heroism every bit, from the actor ripping his shirt off to sending men to space with his punches. V opens with a riot and dashing DCP Adithya (Sudheer Babu) coming in to control it.
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